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	<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?action=history&amp;feed=atom&amp;title=Imagination</id>
	<title>Imagination - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?action=history&amp;feed=atom&amp;title=Imagination"/>
	<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;action=history"/>
	<updated>2026-04-16T04:52:49Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.41.1</generator>
	<entry>
		<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10832&amp;oldid=prev</id>
		<title>Odyssee: /* Painting seeing */</title>
		<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10832&amp;oldid=prev"/>
		<updated>2022-07-17T06:16:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Painting seeing&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:16, 17 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l181&quot;&gt;Line 181:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 181:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Pauli.jpg|thumb|Wolfgang Pauli (1900 - 1958)]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Pauli.jpg|thumb|Wolfgang Pauli (1900 - 1958)]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Austrian [[physicist]] and co-founder of [[w:quantum theory|quantum theory]] [[w:Wolfgang Pauli|Wolfgang Pauli]] (1900-1958) had a very clear inkling of this when, in a letter to the physicist [[w:Markus Fierz|Markus Fierz]] (1912-2006) in which he refers to his lecture &quot;On Physical Knowledge&quot; published in the Eranos Yearbook in 1948, he speaks very accurately in this regard of a &#039;&#039;&#039;painting seeing&#039;&#039;&#039; of these inner images:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Austrian [[physicist]] and co-founder of [[w:quantum theory|quantum theory]] [[w:Wolfgang Pauli|Wolfgang Pauli]] (1900-1958) had a very clear inkling of this when, in a letter to the physicist [[w:Markus Fierz|Markus Fierz]] (1912-2006) in which he refers to his lecture &quot;On Physical Knowledge&quot; published in the Eranos Yearbook in 1948, he speaks very accurately in this regard of a &#039;&#039;&#039;painting seeing&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; or &#039;&#039;&#039;painting looking&lt;/ins&gt;&#039;&#039;&#039; of these inner images:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LZ|The ideas formulated in your lecture have many points of contact with mine, e.g. complementarity and universality, or physics and psychology, but perhaps there are also some differences. My starting point is what is the bridge between sense perceptions and concepts. Admittedly, logic cannot give or construct such a bridge. If one analyses the preconscious stage of concepts, one always finds concepts consisting of &amp;quot;symbolic&amp;quot;&amp;lt;ref&amp;gt;Cf. C. G. Jung&amp;#039;s definition of symbol in his book &amp;quot;Psychological Types&amp;quot;. The s[ymbol] expresses an &amp;quot;imagined but as yet unknown state of affairs&amp;quot;.&amp;lt;/ref&amp;gt; images with generally strong emotional content. The preliminary stage of thinking is a painting seeing of these inner images, the origin of which cannot be attributed solely and not primarily to the sense perceptions (of the individual concerned), but which are produced by an &amp;quot;instinct of imagining&amp;quot; and reproduced independently, i.e. collectively, in different individuals. (What you said on pages 12 and 13 about the concept of number fits in with this.) The former archaic-magical standpoint is only a little below the surface; a slight abaissement du niveau mental is enough to make it come completely &amp;quot;up&amp;quot;. But the archaic attitude is also the necessary condition and source of the scientific attitude. To a complete cognition belongs also that of the images from which the rational concepts have grown.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LZ|The ideas formulated in your lecture have many points of contact with mine, e.g. complementarity and universality, or physics and psychology, but perhaps there are also some differences. My starting point is what is the bridge between sense perceptions and concepts. Admittedly, logic cannot give or construct such a bridge. If one analyses the preconscious stage of concepts, one always finds concepts consisting of &amp;quot;symbolic&amp;quot;&amp;lt;ref&amp;gt;Cf. C. G. Jung&amp;#039;s definition of symbol in his book &amp;quot;Psychological Types&amp;quot;. The s[ymbol] expresses an &amp;quot;imagined but as yet unknown state of affairs&amp;quot;.&amp;lt;/ref&amp;gt; images with generally strong emotional content. The preliminary stage of thinking is a painting seeing of these inner images, the origin of which cannot be attributed solely and not primarily to the sense perceptions (of the individual concerned), but which are produced by an &amp;quot;instinct of imagining&amp;quot; and reproduced independently, i.e. collectively, in different individuals. (What you said on pages 12 and 13 about the concept of number fits in with this.) The former archaic-magical standpoint is only a little below the surface; a slight abaissement du niveau mental is enough to make it come completely &amp;quot;up&amp;quot;. But the archaic attitude is also the necessary condition and source of the scientific attitude. To a complete cognition belongs also that of the images from which the rational concepts have grown.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Odyssee</name></author>
	</entry>
	<entry>
		<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10757&amp;oldid=prev</id>
		<title>Odyssee: /* Bodiless consciousness */</title>
		<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10757&amp;oldid=prev"/>
		<updated>2022-07-12T11:34:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Bodiless consciousness&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:34, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bodiless consciousness ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bodiless consciousness ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In order for the imagination to unfold, consciousness must detach itself from the bodily tool. Forces that are otherwise used up by the body must be turned into the [[soul]]:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In order for the imagination to unfold, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;consciousness&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;must detach itself from the bodily tool. Forces that are otherwise used up by the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;body&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;must be turned into the [[soul]]:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{GZ|No human being knows how his movements, how everything that works there, that he can be an acting human being in the physical outer world, how that comes about and what force works there. Only the spiritual researcher notices this when he comes to so-called imaginative knowledge. There one first makes images which work by drawing stronger forces out of the soul than are otherwise used in ordinary life. Where then does this power come from which unleashes the images of imaginative experience in the soul? It comes from where the forces work that make us an acting human being in the world, that make us move our hands and feet. Because this is the case, one only comes to imagination when one can remain at rest, when one can bring the will of one&amp;#039;s body to a standstill, can control it. Then one notices how this power, which otherwise moves the muscles, flows up into the soul-spirit and forms the imaginative images. So one accomplishes a rearrangement of the forces. Down there in the depths of the corporeal is something of our very own being, of which we feel nothing in ordinary life. By eliminating the physical, the spirit that is otherwise expressed in our actions penetrates up into the soul and fills it with what it would otherwise have to use for the physical. The spiritual researcher knows that he must remove from the body that which the body otherwise consumes. For imaginative knowledge, therefore, the bodily must be eliminated.|150|92f}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{GZ|No human being knows how his movements, how everything that works there, that he can be an acting human being in the physical outer world, how that comes about and what force works there. Only the spiritual researcher notices this when he comes to so-called imaginative knowledge. There one first makes images which work by drawing stronger forces out of the soul than are otherwise used in ordinary life. Where then does this power come from which unleashes the images of imaginative experience in the soul? It comes from where the forces work that make us an acting human being in the world, that make us move our hands and feet. Because this is the case, one only comes to imagination when one can remain at rest, when one can bring the will of one&amp;#039;s body to a standstill, can control it. Then one notices how this power, which otherwise moves the muscles, flows up into the soul-spirit and forms the imaginative images. So one accomplishes a rearrangement of the forces. Down there in the depths of the corporeal is something of our very own being, of which we feel nothing in ordinary life. By eliminating the physical, the spirit that is otherwise expressed in our actions penetrates up into the soul and fills it with what it would otherwise have to use for the physical. The spiritual researcher knows that he must remove from the body that which the body otherwise consumes. For imaginative knowledge, therefore, the bodily must be eliminated.|150|92f}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Odyssee</name></author>
	</entry>
	<entry>
		<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10756&amp;oldid=prev</id>
		<title>Odyssee: /* How are imaginations experienced? */</title>
		<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10756&amp;oldid=prev"/>
		<updated>2022-07-12T08:57:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;How are imaginations experienced?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:57, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l174&quot;&gt;Line 174:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 174:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When the imagination develops in the disciple, the imaginations first resemble the memory images and then also the dream images. They are pale and indeterminate, but not chaotically jumbled like the dream images. But one gradually learns to distinguish the real imaginations from the reminiscences of what one has experienced in sensual existence and also from dreams.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;When the imagination develops in the disciple, the imaginations first resemble the memory images and then also the dream images. They are pale and indeterminate, but not chaotically jumbled like the dream images. But one gradually learns to distinguish the real imaginations from the reminiscences of what one has experienced in sensual existence and also from dreams.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/del&gt;Man in ordinary consciousness can only dream egoistically. When he dreams at night, he dreams in bondage to his own organism; in the dream he is not connected with his surroundings. If he can be connected with the surroundings and develop the same forces that he otherwise develops in dreams, he is in imaginative conception.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot; (Lit.:GA &lt;/del&gt;179&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, p. &lt;/del&gt;106&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{GZ|&lt;/ins&gt;Man in ordinary consciousness can only dream egoistically. When he dreams at night, he dreams in bondage to his own organism; in the dream he is not connected with his surroundings. If he can be connected with the surroundings and develop the same forces that he otherwise develops in dreams, he is in imaginative conception.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;179&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;106&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Imaginations are not only images in the human soul, but they belong to spiritual reality. Ultimately, everything is created from imaginative images, including the physical world. They are the effectively active [[archetype]]s of things. They are the ideas, the archetypes in [[Plato]]&amp;#039;s sense. The [[primordial plant]], of which [[Johann Wolfgang von Goethe]] spoke in his [[metamorphosis theory]], is an example of this. {{GZ||157|298}}  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Imaginations are not only images in the human soul, but they belong to spiritual reality. Ultimately, everything is created from imaginative images, including the physical world. They are the effectively active [[archetype]]s of things. They are the ideas, the archetypes in [[Plato]]&amp;#039;s sense. The [[primordial plant]], of which [[Johann Wolfgang von Goethe]] spoke in his [[metamorphosis theory]], is an example of this. {{GZ||157|298}}  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Odyssee</name></author>
	</entry>
	<entry>
		<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10755&amp;oldid=prev</id>
		<title>Odyssee: /* How are imaginations experienced? */</title>
		<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10755&amp;oldid=prev"/>
		<updated>2022-07-12T08:55:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;How are imaginations experienced?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:55, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l175&quot;&gt;Line 175:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 175:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Man in ordinary consciousness can only dream egoistically. When he dreams at night, he dreams in bondage to his own organism; in the dream he is not connected with his surroundings. If he can be connected with the surroundings and develop the same forces that he otherwise develops in dreams, he is in imaginative conception.&amp;quot; (Lit.:GA 179, p. 106)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Man in ordinary consciousness can only dream egoistically. When he dreams at night, he dreams in bondage to his own organism; in the dream he is not connected with his surroundings. If he can be connected with the surroundings and develop the same forces that he otherwise develops in dreams, he is in imaginative conception.&amp;quot; (Lit.:GA 179, p. 106)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Pauli.jpg|thumb|Wolfgang Pauli (1900 - 1958)]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Imaginations are not only images in the human soul, but they belong to spiritual reality. Ultimately, everything is created from imaginative images, including the physical world. They are the effectively active [[archetype]]s of things. They are the ideas, the archetypes in [[Plato]]&amp;#039;s sense. The [[primordial plant]], of which [[Johann Wolfgang von Goethe]] spoke in his [[metamorphosis theory]], is an example of this. {{GZ||157|298}}  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Imaginations are not only images in the human soul, but they belong to spiritual reality. Ultimately, everything is created from imaginative images, including the physical world. They are the effectively active [[archetype]]s of things. They are the ideas, the archetypes in [[Plato]]&amp;#039;s sense. The [[primordial plant]], of which [[Johann Wolfgang von Goethe]] spoke in his [[metamorphosis theory]], is an example of this. {{GZ||157|298}}  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Painting seeing ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Painting seeing ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Pauli.jpg|thumb|Wolfgang Pauli (1900 - 1958)]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Austrian [[physicist]] and co-founder of [[w:quantum theory|quantum theory]] [[w:Wolfgang Pauli|Wolfgang Pauli]] (1900-1958) had a very clear inkling of this when, in a letter to the physicist [[w:Markus Fierz|Markus Fierz]] (1912-2006) in which he refers to his lecture &amp;quot;On Physical Knowledge&amp;quot; published in the Eranos Yearbook in 1948, he speaks very accurately in this regard of a &amp;#039;&amp;#039;&amp;#039;painting seeing&amp;#039;&amp;#039;&amp;#039; of these inner images:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Austrian [[physicist]] and co-founder of [[w:quantum theory|quantum theory]] [[w:Wolfgang Pauli|Wolfgang Pauli]] (1900-1958) had a very clear inkling of this when, in a letter to the physicist [[w:Markus Fierz|Markus Fierz]] (1912-2006) in which he refers to his lecture &amp;quot;On Physical Knowledge&amp;quot; published in the Eranos Yearbook in 1948, he speaks very accurately in this regard of a &amp;#039;&amp;#039;&amp;#039;painting seeing&amp;#039;&amp;#039;&amp;#039; of these inner images:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Odyssee</name></author>
	</entry>
	<entry>
		<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10754&amp;oldid=prev</id>
		<title>Odyssee: /* Goethe&#039;s Theory of Colours as a Basis for Understanding the Supersensible Colors of the Aura */</title>
		<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10754&amp;oldid=prev"/>
		<updated>2022-07-12T08:49:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Goethe&amp;#039;s Theory of Colours as a Basis for Understanding the Supersensible Colors of the Aura&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:49, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l205&quot;&gt;Line 205:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 205:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The supersensible world must first be imagined as something quite beyond ordinary consciousness. This consciousness has nothing by which it can approach this world. Through the powers of the soul life, which are strengthened in meditation, a contact of the soul with the supersensible world is first created. Through this, the marked images emerge from the floods of the soul life. These are as such a tableau, which is actually woven entirely by the soul itself. It is woven from the forces that the soul has acquired in the sensual world. As a pictorial fabric, it really contains nothing other than what can be compared to memory. - The more one makes this clear for the understanding of clairvoyant consciousness, the better it is. One will then have no illusions about the nature of the image. And in this way one will also develop a right feeling for the way in which one has to relate the images to the supersensible world. One will learn to read through the images in the supersensible world.|17|18}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The supersensible world must first be imagined as something quite beyond ordinary consciousness. This consciousness has nothing by which it can approach this world. Through the powers of the soul life, which are strengthened in meditation, a contact of the soul with the supersensible world is first created. Through this, the marked images emerge from the floods of the soul life. These are as such a tableau, which is actually woven entirely by the soul itself. It is woven from the forces that the soul has acquired in the sensual world. As a pictorial fabric, it really contains nothing other than what can be compared to memory. - The more one makes this clear for the understanding of clairvoyant consciousness, the better it is. One will then have no illusions about the nature of the image. And in this way one will also develop a right feeling for the way in which one has to relate the images to the supersensible world. One will learn to read through the images in the supersensible world.|17|18}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Goethe&#039;s Theory of Colours as a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Basis &lt;/del&gt;for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Understanding &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Supersensible Colors &lt;/del&gt;of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Aura &lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Goethe&#039;s Theory of Colours as a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;basis &lt;/ins&gt;for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;understanding &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;supersensible colors &lt;/ins&gt;of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;aura &lt;/ins&gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Goethe&amp;#039;s Colour Circle.jpg|thumb|[[Color wheel]], drawing by [[Johann Wolfgang von Goethe]].]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Goethe&amp;#039;s Colour Circle.jpg|thumb|[[Color wheel]], drawing by [[Johann Wolfgang von Goethe]].]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Main|Sensual-moral effect of color}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Main|Sensual-moral effect of color}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Odyssee</name></author>
	</entry>
	<entry>
		<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10753&amp;oldid=prev</id>
		<title>Odyssee: /* Goethe&#039;s Theory of Colours as a Basis for Understanding the Supersensible Colors of the Aura */</title>
		<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10753&amp;oldid=prev"/>
		<updated>2022-07-12T08:47:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Goethe&amp;#039;s Theory of Colours as a Basis for Understanding the Supersensible Colors of the Aura&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:47, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l206&quot;&gt;Line 206:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 206:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Goethe&amp;#039;s Theory of Colours as a Basis for Understanding the Supersensible Colors of the Aura ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Goethe&amp;#039;s Theory of Colours as a Basis for Understanding the Supersensible Colors of the Aura ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Goethe&#039;s Colour Circle.jpg|thumb|[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Colour &lt;/del&gt;wheel]], drawing by [[Johann Wolfgang von Goethe]].]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Goethe&#039;s Colour Circle.jpg|thumb|[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Color &lt;/ins&gt;wheel]], drawing by [[Johann Wolfgang von Goethe]].]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Main|Sensual-moral effect of color}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Main|Sensual-moral effect of color}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l217&quot;&gt;Line 217:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 217:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;So we have first the outer spectrum, and we have at this outer spectrum the undertone of the mental experiences. So we stand with our senses, with the eye, opposite the outer world, and we cannot adjust the eye in any other way than that mostly, even if often even unconsciously or subconsciously, soul experience runs along with it. We call what is experienced through the eye sensation. We are now accustomed, my dear present ones, to call that which is experienced at the sensation, which is experienced soulishly - at which a stimulus, which originates from the objectively spread out, presents itself as sensation - the subjective. But you see from the way in which I have just presented this, following Goethe, that we can, so to speak, set up a counter-spectrum, a soul counter-spectrum, which can be brought into parallel quite exactly with the outer optical spectrum.|73a|254ff}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;So we have first the outer spectrum, and we have at this outer spectrum the undertone of the mental experiences. So we stand with our senses, with the eye, opposite the outer world, and we cannot adjust the eye in any other way than that mostly, even if often even unconsciously or subconsciously, soul experience runs along with it. We call what is experienced through the eye sensation. We are now accustomed, my dear present ones, to call that which is experienced at the sensation, which is experienced soulishly - at which a stimulus, which originates from the objectively spread out, presents itself as sensation - the subjective. But you see from the way in which I have just presented this, following Goethe, that we can, so to speak, set up a counter-spectrum, a soul counter-spectrum, which can be brought into parallel quite exactly with the outer optical spectrum.|73a|254ff}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &quot;[[sensual-moral effect of color]]&quot; described by Goethe can contribute to a better understanding of what the [[clairvoyant]] experiences, for example, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Imagination|&lt;/del&gt;imaginatively&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;as color qualities of the [[aura]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &quot;[[sensual-moral effect of color]]&quot; described by Goethe can contribute to a better understanding of what the [[clairvoyant]] experiences, for example, imaginatively as color qualities of the [[aura]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{GZ|We can set up a spectrum of differentiated feelings: exciting, stimulating, balancing, devotional, and so on. If we look outward, we see the yellow; we sense from it as an undertone the stimulating, that which, as it were, actively acts upon us from the outside. What is the situation with the spiritual experience? This spiritual experience comes, as it were, from our inner being towards the outer world. But let us assume that we would be able to record exactly what we have experienced in the red, the yellow, the green, the blue, the violet. Let us assume that we would be able to record the feelings in a differentiated way so that we have a spectrum of feelings inside, like we have the usual optical spectrum from the outside. If we now imagine that from the outside the red, yellow, green, blue, violet, i.e. the objective, ignite the undertones of excitement, stimulation, compensation, devotion, we thus see it, so to speak, as something accompanying the outer appearances. Would it then be something so absurd to assume that also from within that could happen, which otherwise is the basis of this spectrum of feelings without our intervention from the outside? Would it be something so absurd that now the spectrum of feelings would be there inside and from it would spring forth in the experience of man the spectrum of colors which is now grasped in inner images? Just as otherwise the color spectrum is there and the inner emotional experiences are added by our being present, so it could also be that the emotional experiences, which can be represented in the differentiated spectrum, would be regarded as the objective, the inwardly located objective, and now jumps out as an undertone that which can now be compared with the objective color spectrum.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{GZ|We can set up a spectrum of differentiated feelings: exciting, stimulating, balancing, devotional, and so on. If we look outward, we see the yellow; we sense from it as an undertone the stimulating, that which, as it were, actively acts upon us from the outside. What is the situation with the spiritual experience? This spiritual experience comes, as it were, from our inner being towards the outer world. But let us assume that we would be able to record exactly what we have experienced in the red, the yellow, the green, the blue, the violet. Let us assume that we would be able to record the feelings in a differentiated way so that we have a spectrum of feelings inside, like we have the usual optical spectrum from the outside. If we now imagine that from the outside the red, yellow, green, blue, violet, i.e. the objective, ignite the undertones of excitement, stimulation, compensation, devotion, we thus see it, so to speak, as something accompanying the outer appearances. Would it then be something so absurd to assume that also from within that could happen, which otherwise is the basis of this spectrum of feelings without our intervention from the outside? Would it be something so absurd that now the spectrum of feelings would be there inside and from it would spring forth in the experience of man the spectrum of colors which is now grasped in inner images? Just as otherwise the color spectrum is there and the inner emotional experiences are added by our being present, so it could also be that the emotional experiences, which can be represented in the differentiated spectrum, would be regarded as the objective, the inwardly located objective, and now jumps out as an undertone that which can now be compared with the objective color spectrum.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Odyssee</name></author>
	</entry>
	<entry>
		<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10752&amp;oldid=prev</id>
		<title>Odyssee: /* How are imaginations experienced? */</title>
		<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10752&amp;oldid=prev"/>
		<updated>2022-07-12T08:39:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;How are imaginations experienced?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:39, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l180&quot;&gt;Line 180:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 180:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Imaginations are not only images in the human soul, but they belong to spiritual reality. Ultimately, everything is created from imaginative images, including the physical world. They are the effectively active [[archetype]]s of things. They are the ideas, the archetypes in [[Plato]]&amp;#039;s sense. The [[primordial plant]], of which [[Johann Wolfgang von Goethe]] spoke in his [[metamorphosis theory]], is an example of this. {{GZ||157|298}}  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Imaginations are not only images in the human soul, but they belong to spiritual reality. Ultimately, everything is created from imaginative images, including the physical world. They are the effectively active [[archetype]]s of things. They are the ideas, the archetypes in [[Plato]]&amp;#039;s sense. The [[primordial plant]], of which [[Johann Wolfgang von Goethe]] spoke in his [[metamorphosis theory]], is an example of this. {{GZ||157|298}}  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Anchor|painting &lt;/del&gt;seeing&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;The Austrian physicist and co-founder of quantum theory [[w:Wolfgang Pauli|Wolfgang Pauli]] (1900-1958) had a very clear inkling of this when, in a letter to the physicist [[w:Markus Fierz|Markus Fierz]] (1912-2006) in which he refers to his lecture &quot;On Physical Knowledge&quot; published in the Eranos Yearbook in 1948, he speaks very accurately in this regard of a &#039;&#039;&#039;painting seeing&#039;&#039;&#039; of these inner images:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Painting &lt;/ins&gt;seeing &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Austrian &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;physicist&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and co-founder of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[w:quantum theory|&lt;/ins&gt;quantum theory&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;[[w:Wolfgang Pauli|Wolfgang Pauli]] (1900-1958) had a very clear inkling of this when, in a letter to the physicist [[w:Markus Fierz|Markus Fierz]] (1912-2006) in which he refers to his lecture &quot;On Physical Knowledge&quot; published in the Eranos Yearbook in 1948, he speaks very accurately in this regard of a &#039;&#039;&#039;painting seeing&#039;&#039;&#039; of these inner images:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LZ|The ideas formulated in your lecture have many points of contact with mine, e.g. complementarity and universality, or physics and psychology, but perhaps there are also some differences. My starting point is what is the bridge between sense perceptions and concepts. Admittedly, logic cannot give or construct such a bridge. If one analyses the preconscious stage of concepts, one always finds concepts consisting of &amp;quot;symbolic&amp;quot;&amp;lt;ref&amp;gt;Cf. C. G. Jung&amp;#039;s definition of symbol in his book &amp;quot;Psychological Types&amp;quot;. The s[ymbol] expresses an &amp;quot;imagined but as yet unknown state of affairs&amp;quot;.&amp;lt;/ref&amp;gt; images with generally strong emotional content. The preliminary stage of thinking is a painting seeing of these inner images, the origin of which cannot be attributed solely and not primarily to the sense perceptions (of the individual concerned), but which are produced by an &amp;quot;instinct of imagining&amp;quot; and reproduced independently, i.e. collectively, in different individuals. (What you said on pages 12 and 13 about the concept of number fits in with this.) The former archaic-magical standpoint is only a little below the surface; a slight abaissement du niveau mental is enough to make it come completely &amp;quot;up&amp;quot;. But the archaic attitude is also the necessary condition and source of the scientific attitude. To a complete cognition belongs also that of the images from which the rational concepts have grown.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{LZ|The ideas formulated in your lecture have many points of contact with mine, e.g. complementarity and universality, or physics and psychology, but perhaps there are also some differences. My starting point is what is the bridge between sense perceptions and concepts. Admittedly, logic cannot give or construct such a bridge. If one analyses the preconscious stage of concepts, one always finds concepts consisting of &amp;quot;symbolic&amp;quot;&amp;lt;ref&amp;gt;Cf. C. G. Jung&amp;#039;s definition of symbol in his book &amp;quot;Psychological Types&amp;quot;. The s[ymbol] expresses an &amp;quot;imagined but as yet unknown state of affairs&amp;quot;.&amp;lt;/ref&amp;gt; images with generally strong emotional content. The preliminary stage of thinking is a painting seeing of these inner images, the origin of which cannot be attributed solely and not primarily to the sense perceptions (of the individual concerned), but which are produced by an &amp;quot;instinct of imagining&amp;quot; and reproduced independently, i.e. collectively, in different individuals. (What you said on pages 12 and 13 about the concept of number fits in with this.) The former archaic-magical standpoint is only a little below the surface; a slight abaissement du niveau mental is enough to make it come completely &amp;quot;up&amp;quot;. But the archaic attitude is also the necessary condition and source of the scientific attitude. To a complete cognition belongs also that of the images from which the rational concepts have grown.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l203&quot;&gt;Line 203:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 204:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The supersensible world must first be imagined as something quite beyond ordinary consciousness. This consciousness has nothing by which it can approach this world. Through the powers of the soul life, which are strengthened in meditation, a contact of the soul with the supersensible world is first created. Through this, the marked images emerge from the floods of the soul life. These are as such a tableau, which is actually woven entirely by the soul itself. It is woven from the forces that the soul has acquired in the sensual world. As a pictorial fabric, it really contains nothing other than what can be compared to memory. - The more one makes this clear for the understanding of clairvoyant consciousness, the better it is. One will then have no illusions about the nature of the image. And in this way one will also develop a right feeling for the way in which one has to relate the images to the supersensible world. One will learn to read through the images in the supersensible world.|17|18}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The supersensible world must first be imagined as something quite beyond ordinary consciousness. This consciousness has nothing by which it can approach this world. Through the powers of the soul life, which are strengthened in meditation, a contact of the soul with the supersensible world is first created. Through this, the marked images emerge from the floods of the soul life. These are as such a tableau, which is actually woven entirely by the soul itself. It is woven from the forces that the soul has acquired in the sensual world. As a pictorial fabric, it really contains nothing other than what can be compared to memory. - The more one makes this clear for the understanding of clairvoyant consciousness, the better it is. One will then have no illusions about the nature of the image. And in this way one will also develop a right feeling for the way in which one has to relate the images to the supersensible world. One will learn to read through the images in the supersensible world.|17|18}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== Goethe&#039;s Theory of Colours as a Basis for Understanding the Supersensible Colors of the Aura ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Goethe&#039;s Colour Circle.jpg|thumb|[[Colour wheel]], drawing by [[Johann Wolfgang von Goethe]].]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Main|Sensual-moral effect of color}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The [[sensual perception]] of [[color]] is inseparable from an emotional undertone that accompanies it, which [[Johann Wolfgang von Goethe]] refers to as the &quot;[[sensual-moral effect of color]]&quot;. But this is by no means a purely [[subjective]] experience. Both, the perceived color and the accompanying emotional undertone, originate as a whole from the essence of the respective color. Although the fine undertone of the externally perceived color can only be experienced subjectively inwardly mentally by the observer, it nevertheless does not depend on the observer&#039;s personal idiosyncrasy and insofar has at the same time an objective character. Certain color combinations arouse quite specific mental effects. These are of decisive importance for the artistic handling of color.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{GZ|Goethe starts from the physiological colors; I have shown you this when I characterized his way of coming to knowledge by other methods of investigation than the present methods of investigation. Then, however, his whole approach culminates in the chapter which he called &quot;Sensual-moral effect of color&quot;. There Goethe goes, so to speak, directly from the physical into the spiritual, and he then characterizes the whole spectrum of colors with an extraordinary accuracy. He characterizes the impression that is experienced; it is, after all, something that is experienced quite objectively. Even if it is experienced in the subject, it is nevertheless something thoroughly objectively experienced in the subject, the impression which, let us say, the colors situated towards the warm side of the spectrum make, red, yellow. He describes them in their activity, how they, so to speak, have an exciting or stimulating effect on man. And he describes how then the colors which are situated towards the cold side have a stimulating effect, incite to devotion; and he describes how the green in the middle has a balancing effect.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;So, in a sense, he is describing a spectrum of feelings. And it is interesting to visualize, how a soul-differentiated immediately jumps out of the ordered physical way of looking at things. Whoever understands such a course of investigation comes to the following results. He says to himself: The individual colors of the spectrum stand before us, they are experienced as entities which appear to be quite separate from man. In the ordinary perception of life we quite naturally and justifiably attach the greatest importance to directly grasping this objective element, let us say in the red, in the yellow. But there is an undertone everywhere. If we look at the immediate experience, it can only be separated in abstraction from that which is a so-called experience of the red nuance and the blue nuance, separated from the human being externally, in an objective sense; It is an abstract separation from that which is also directly experienced in the act of seeing, but which is only struck, which is, so to speak, experienced in a quiet undertone, but which can never remain away, so that in this field one can only look at it purely physically, if one first abstracts that which is experienced mentally from the physical.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;So we have first the outer spectrum, and we have at this outer spectrum the undertone of the mental experiences. So we stand with our senses, with the eye, opposite the outer world, and we cannot adjust the eye in any other way than that mostly, even if often even unconsciously or subconsciously, soul experience runs along with it. We call what is experienced through the eye sensation. We are now accustomed, my dear present ones, to call that which is experienced at the sensation, which is experienced soulishly - at which a stimulus, which originates from the objectively spread out, presents itself as sensation - the subjective. But you see from the way in which I have just presented this, following Goethe, that we can, so to speak, set up a counter-spectrum, a soul counter-spectrum, which can be brought into parallel quite exactly with the outer optical spectrum.|73a|254ff}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The &quot;[[sensual-moral effect of color]]&quot; described by Goethe can contribute to a better understanding of what the [[clairvoyant]] experiences, for example, [[Imagination|imaginatively]] as color qualities of the [[aura]].&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{GZ|We can set up a spectrum of differentiated feelings: exciting, stimulating, balancing, devotional, and so on. If we look outward, we see the yellow; we sense from it as an undertone the stimulating, that which, as it were, actively acts upon us from the outside. What is the situation with the spiritual experience? This spiritual experience comes, as it were, from our inner being towards the outer world. But let us assume that we would be able to record exactly what we have experienced in the red, the yellow, the green, the blue, the violet. Let us assume that we would be able to record the feelings in a differentiated way so that we have a spectrum of feelings inside, like we have the usual optical spectrum from the outside. If we now imagine that from the outside the red, yellow, green, blue, violet, i.e. the objective, ignite the undertones of excitement, stimulation, compensation, devotion, we thus see it, so to speak, as something accompanying the outer appearances. Would it then be something so absurd to assume that also from within that could happen, which otherwise is the basis of this spectrum of feelings without our intervention from the outside? Would it be something so absurd that now the spectrum of feelings would be there inside and from it would spring forth in the experience of man the spectrum of colors which is now grasped in inner images? Just as otherwise the color spectrum is there and the inner emotional experiences are added by our being present, so it could also be that the emotional experiences, which can be represented in the differentiated spectrum, would be regarded as the objective, the inwardly located objective, and now jumps out as an undertone that which can now be compared with the objective color spectrum.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Now spiritual science claims nothing else than that a method is possible where what I have now presented to you as a postulate is really experienced [inwardly] as from the outer experience where the objective spectrum is there and, as it were, the subjective spectrum of feelings is drawn as a veil over the objective spectrum. In the same way, the spectrum of feelings can now be experienced inwardly, which is now followed by the experience of color. This can really be experienced, and it underlies what I characterized yesterday more abstractly as the imagination. That which is a phenomenon spread out in space, an outer phenomenon, can also be brought out of the human being as an inner phenomenon. And as the outer phenomenon dilutes towards us in cognition, so the inner experience condenses by being taken up by the consciousness unconsciously developed in us - as I indicated yesterday.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;It is only necessary to be clear, my dear audience, that what appears in the spiritual science meant here are by no means nebulous fantasies, as are usually the results of some reveries known as &quot;mystical world views&quot;. What is meant here as anthroposophical spiritual science is based on experiences which one does not have otherwise, which must first be developed, but which can be grasped in absolutely clear terms, which can be followed everywhere with absolutely clear terms.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;One can therefore say that Goethe depicted the objectively external in the same way as a person who is half instinctively aware: There is an inner counter-image of what he describes externally; there is an inner view to the external view.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- Once one has found one&#039;s way into this train of thought, and if, secondly, one has made an effort in the direction indicated yesterday to really experience something like what I have now indicated, namely, to let that which is differentiated emotional life brighten up into imaginations which may then be addressed with the same words with which one describes the outer phenomena - if one has risen to these things, then one is offered the prospect of a comprehension of man which is precisely missing in the modern scientific views. How could one arrive at a view of man if one artificially separates everything that occurs in man&#039;s intercourse with the world, if one only wants to look outward and not inward at all? This, and nothing else, is ultimately what is again and again raised from the scientific side as an accusation against spiritual science, that it does not proceed scientifically. This is a prejudice that has arisen because from the outset only that which is separated from the human being is regarded as scientific observation, and no attention is paid to the undertones that characterize the human part. In this way one cannot find the transition to what man actually experiences in his inner being. The colors that I am referring to now, which emerge from the emotional spectrum just as the emotional spectrum emerges from the outer objective spectrum, these colors are experienced in imaginative viewing, and they form the mediation for spiritually recognizing the supersensible just as the outer spectral colors form the mediation for recognizing the outer sensory-physical. One could say that the surfaces of the outer bodies reveal themselves in the ordinary spectral colors. If I now express myself in a somewhat strange, seemingly paradoxical way, I would have to say: the surfaces of the spiritual - of course, every sensible person will know what I mean, that I therefore do not mean any sphere when I speak of a spiritual -, the surfaces of the spiritual, they express themselves in those colors which are evoked in the imagination from the spectrum of feelings. Instead of pursuing this thought first and saying to oneself, if the outer nature is just as it is, then also the other looking must be possible, then one must try to come to this looking - instead of saying this to oneself, thus to really draw the consequence from an outer view of nature, the opponents are much more concerned with pouring scorn and derision on what is called the human aura, which is nothing else than just that which is brought to the inner perceiving, in another field, as here in the field of the spectrum of feelings.|73a|256ff}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In the imagination, one&amp;#039;s own body appears like an automaton ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== In the imagination, one&amp;#039;s own body appears like an automaton ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Odyssee</name></author>
	</entry>
	<entry>
		<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10751&amp;oldid=prev</id>
		<title>Odyssee: /* German */</title>
		<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10751&amp;oldid=prev"/>
		<updated>2022-07-12T08:26:46Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;German&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:26, 12 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l267&quot;&gt;Line 267:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 267:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &amp;#039;&amp;#039;Wo und wie findet man den Geist?&amp;#039;&amp;#039;, [[GA 57]] (1984), ISBN 3-7274-0570-8 {{Lectures|057}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &amp;#039;&amp;#039;Wo und wie findet man den Geist?&amp;#039;&amp;#039;, [[GA 57]] (1984), ISBN 3-7274-0570-8 {{Lectures|057}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &amp;#039;&amp;#039;Das Ewige in der Menschenseele. Unsterblichkeit und Freiheit&amp;#039;&amp;#039;, [[GA 67]] (1992), ISBN 3-7274-0670-4 {{Lectures|067}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &amp;#039;&amp;#039;Das Ewige in der Menschenseele. Unsterblichkeit und Freiheit&amp;#039;&amp;#039;, [[GA 67]] (1992), ISBN 3-7274-0670-4 {{Lectures|067}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Rudolf Steiner]]: &#039;&#039;Fachwissenschaften und Anthroposophie&#039;&#039;, [[GA 73a]] (2005), ISBN 3-7274-0735-2 {{Vorträge|073a}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Rudolf Steiner]]: &#039;&#039;Anthroposophie, ihre Erkenntniswurzeln und Lebensfrüchte&#039;&#039;, [[GA 78]] (1986), ISBN 3-7274-0780-8 {{Lectures|078}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &amp;#039;&amp;#039;Die Wirklichkeit der höheren Welten&amp;#039;&amp;#039;, [[GA 79]] (1988), ISBN 3-7274-0790-5 {{Lectures|079}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &amp;#039;&amp;#039;Die Wirklichkeit der höheren Welten&amp;#039;&amp;#039;, [[GA 79]] (1988), ISBN 3-7274-0790-5 {{Lectures|079}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Rudolf Steiner]]: &#039;&#039;Anthroposophie, ihre Erkenntniswurzeln und Lebensfrüchte&#039;&#039;, [[GA 78]] (1986), ISBN 3-7274-0780-8 {{Lectures|078}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &amp;#039;&amp;#039;Natur- und Geistwesen – ihr Wirken in unserer sichtbaren Welt&amp;#039;&amp;#039;, [[GA 98]] (1996), ISBN 3-7274-0980-0 {{Lectures|098}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &amp;#039;&amp;#039;Natur- und Geistwesen – ihr Wirken in unserer sichtbaren Welt&amp;#039;&amp;#039;, [[GA 98]] (1996), ISBN 3-7274-0980-0 {{Lectures|098}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &amp;#039;&amp;#039;Anthroposophie – Psychosophie – Pneumatosophie&amp;#039;&amp;#039;, [[GA 115]] (2001) {{Lectures|115}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &amp;#039;&amp;#039;Anthroposophie – Psychosophie – Pneumatosophie&amp;#039;&amp;#039;, [[GA 115]] (2001) {{Lectures|115}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Odyssee</name></author>
	</entry>
	<entry>
		<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10730&amp;oldid=prev</id>
		<title>Odyssee: /* Literature */</title>
		<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10730&amp;oldid=prev"/>
		<updated>2022-07-11T14:12:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Literature&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:12, 11 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l249&quot;&gt;Line 249:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 249:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Literature==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Literature==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &#039;&#039;An Outline of Occult Science &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, translated &lt;/del&gt;by Maud and Henry B. Monges, The Anthroposophic Press 1972, ISBN 0-88010-368-X [https://rsarchive.org/Books/GA013/English/AP1972/ rsarchive]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &#039;&#039;An Outline of Occult Science &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. [[CW 13]]. Translated &lt;/ins&gt;by Maud and Henry B. Monges, The Anthroposophic Press 1972, ISBN 0-88010-368-X [https://rsarchive.org/Books/GA013/English/AP1972/ rsarchive]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &#039;&#039;A Road to Self-Knowledge&#039;&#039;. Translation by M. Cotterell. Anthroposophical Publishing Company, London 1956 [https://wn.rsarchive.org/GA/GA0016/English/AP1956/GA016_index.html rsarchive]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rudolf Steiner]]: &#039;&#039;A Road to Self-Knowledge&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. [[CW 16]]&lt;/ins&gt;. Translation by M. Cotterell. Anthroposophical Publishing Company, London 1956 [https://wn.rsarchive.org/GA/GA0016/English/AP1956/GA016_index.html &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;rsarchive]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Rudolf Steiner]]: &#039;&#039;The Threshold of the Spiritual World&#039;&#039;. [[CW 17]]. G. P. Putnam&#039;s Sons, London &amp;amp; New York 1922 [https://rsarchive.org/Books/GA017/English/GPP1922/ &lt;/ins&gt;rsarchive]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== German ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== German ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Odyssee</name></author>
	</entry>
	<entry>
		<id>http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10728&amp;oldid=prev</id>
		<title>Odyssee: /* Literature */</title>
		<link rel="alternate" type="text/html" href="http://148.72.144.226/plesk-site-preview/en.anthro.wiki/https/148.72.144.226/index.php?title=Imagination&amp;diff=10728&amp;oldid=prev"/>
		<updated>2022-07-11T14:08:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Literature&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:08, 11 July 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l249&quot;&gt;Line 249:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 249:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Literature==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Literature==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Rudolf Steiner]]: &#039;&#039;An Outline of Occult Science &#039;&#039;, translated by Maud and Henry B. Monges, The Anthroposophic Press 1972, ISBN 0-88010-368-X [https://rsarchive.org/Books/GA013/English/AP1972/ rsarchive]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[Rudolf Steiner]]: &#039;&#039;A Road to Self-Knowledge&#039;&#039;. Translation by M. Cotterell. Anthroposophical Publishing Company, London 1956 [https://wn.rsarchive.org/GA/GA0016/English/AP1956/GA016_index.html rsarchive]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=== German ===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* H. Atmanspacher, H. Primas, E. Wertenschlag-Birkhäuser (Hrsg.): &amp;#039;&amp;#039;Der Pauli-Jung-Dialog&amp;#039;&amp;#039;, Springer Verlag, Berlin Heidelberg 1995, S 219&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* H. Atmanspacher, H. Primas, E. Wertenschlag-Birkhäuser (Hrsg.): &amp;#039;&amp;#039;Der Pauli-Jung-Dialog&amp;#039;&amp;#039;, Springer Verlag, Berlin Heidelberg 1995, S 219&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Karl von Meyenn (Hrsg.): &amp;#039;&amp;#039;Wolfgang Pauli. Wissenschaftlicher Briefwechsel, Band III: 1940–1949. Springer. Berlin (1993) Brief *929, S. 496&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Karl von Meyenn (Hrsg.): &amp;#039;&amp;#039;Wolfgang Pauli. Wissenschaftlicher Briefwechsel, Band III: 1940–1949. Springer. Berlin (1993) Brief *929, S. 496&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Odyssee</name></author>
	</entry>
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